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| NEVER TELL |

MIRA Books - June 2005
ISBN: 0-7783-2024-3 |
Chapter One
The telephone shrilled the fourth ring,
but Erica Stewart resisted coming fully awake. Let it go to voice
mail, she thought, while a part of her still struggled to finish
the dream. But it was gone, as always. She never knew when it
would come—or why—and she could never recapture it. The dream was
like torture, but a weird, tantalizing kind of torture that left
her longing to see what lay on the other side of knowing.
The phone rang again and Willie, her cat,
nudged her hand with his head. Purring loudly, he climbed on her
chest and pawed at the blanket. With a sigh, she raised herself
on one elbow and looked at the caller I.D., then groggily reached
over and picked it up. "What?" She knew she sounded grumpy, but
she wasn’t at her best before coffee and all her friends knew that.
"Good morning, sunshine."
"This had better be good, Jason," she grumbled,
falling back against her pillow. "It’s Sunday. You know it’s the
only day I can sleep in."
"You’ll forgive me when you hear this,"
her business partner and quintessential morning person, said. "Have
you seen the Sunday Chronicle?"
"You woke me from a sound sleep, Jason.
I’m still in bed. And thanks to you, Willie’s now meowing to be
fed. So, no, I haven’t seen the newspaper."
"Wait’ll you see the article in Zest,
sugar. It’s fantastic. It’s gonna mean success with a big S for
us. Get dressed," he told her. "I’m coming over."
"Can’t you just—" She stopped, realizing
the line was dead. Grumbling, she threw off the covers and glared
at Willie, who was wailing now. "I’m up, I’m up."
When Jason knocked on her door fifteen
minutes later, she’d barely had time to brush her teeth and throw
on a pair of jeans and a tee. He had a bakery box in one hand,
a newspaper under his arm and a cardboard tray holding two cups
of Starbucks in the other. "Here, straight house blend, no frills,
just the way you like it," Jason said, thrusting the coffee at her.
Then, waggling his eyebrows suggestively, he offered the box. "Kolaches.
Mixed varieties."
He knew she had a weakness for the delicious
pastry stuffed with everything she shouldn’t eat. Why was it some
people preferred to skip breakfast altogether when for her it was
the best meal of the day? And irresistible. With a sheepish groan,
she grabbed the box, turned and led the way into her kitchen.
The table in her breakfast nook was littered
with fabric scraps, scissors and parchment paper patterns. Sitting
in the midst of that was her laptop. She remembered looking at
the clock around 2:30 a.m. thinking she should shut down and go
to bed. She did, finally, about an hour later, knowing it was Sunday
and she would be able to sleep in.
"Whoa, somebody’s been busy," Jason said,
looking at the mess on the table.
"Until the wee hours," Erica said, setting
the coffee and kolaches on a countertop nearby. She collected the
material scraps and dropped them into a box, tossed the paper patterns
into a tall trash can she’d placed beside her chair and shoved the
computer to the opposite side of the table. "But it was worth it.
I finished the design for Jill McNeal’s evening jacket. I’m really
happy with it, Jason. I think she’ll be pleased."
"Have your coffee first," he told her.
"And sit down. We’ll look at the design and pig out after you look
at this." With a flourish, he snapped the fold from the newspaper
and spread it out on the table.
Erica removed the plastic lid from her
coffee cup and sat. Then, tucking a strand of dark hair behind
one ear, she turned her attention to the paper. Her gray eyes went
wide. The first thing she noticed was her own photo on the cover
of Zest, the Houston Chronicle’s Sunday magazine.
Small, but prominently displayed at the top, it was a teaser for
a feature article inside.
"Wait’ll you see the article," Jason said.
"It’ll blow your mind. We couldn’t pay enough for advertising like
this, Erica." Not waiting for her to find it, he leaned over and
flipped the pages until he located it. He straightened and stood
back to gauge her reaction. "Have a look at that, partner."
He was right about one thing. They could
never afford to pay for advertising at this level. She was pictured
arranging the display in the front window of the shop in The Village.
She remembered the day she’d worked on the display. She’d wanted
the fabric she’d used in the jacket to coordinate with the quilt,
another of her original designs. She’d draped the quilt over an
antique chair, which she’d borrowed from a shop located a couple
of doors down. On the floor beside the chair was a tall urn containing
a few gnarled and leafless limbs she’d collected on the side of
a country road. River stones had been strewn over the floor to
look as if they’d been cast out carelessly, adding a last artful
touch to the oddly eclectic grouping. She’d had some doubt about
the photographer’s request to shoot her at work in the window, but
the result was more than interesting.
Jason grinned with delight. "Is it great,
or what?"
"It’s nice." The article wasn’t about Erica
alone. It was a piece showcasing the unique personality of The
Village, a favored location for merchants, upscale and otherwise,
some selling unique merchandise while others offered chain store
quality. When Erica and Jason decided to open a retail outlet for
her jacket and quilt designs, they’d chosen The Village as much
for its personality as for its location near upscale River Oaks.
"Nice?" Jason propped his hands on his
hips. That’s it, just nice?"
"It’s really terrific."
"You know what this means, Erica." He sat
down on the cushioned seat of the bay window, but he was so energized
that he was instantly up and pacing again. "It’s going to make
us a household word. You’ve already made a name for yourself in
Houston and this article is simply icing on the cake. Circulation
for the Chronicle takes us throughout the whole state of
Texas and beyond."
"First Texas and then the world?" she teased,
smiling while savoring the taste of the coffee. Jason’s expectations
were anything but modest. He really believed Erica Stewart was
destined to become a label as well known as Kate Spade or Cynthia
Rowley. He was so certain that sometimes Erica almost believed
it herself. This morning, however, her expectations were firmly
grounded. She needed a couple of seamstresses to work full time
on the jackets and quilts, but so far she’d found only one who met
her exacting standards. Her creations were pricey, unavoidably
so, as they were labor intensive. She wanted anyone who bought
a jacket or a quilt to get full value for their money.
"I’m not the one in denial," Jason said,
biting into a kolache. "You are." Then, chewing on the pastry,
he pointed at the article. "Do you think they do these feature
articles for just anybody? Hell, no. Even if you can’t believe
you’re destined to be a significant player, sugar, other folks do."
He tapped the article with a forefinger. "Now all we have to do
is make the most of what’s been handed to us on a silver platter."
"Uh-huh." Erica rose and rummaged in a
wire basket where she’d stashed recent mail. "If you’re excited
over that article, you’ll really love this." When she found
what she was looking for, she handed it to Jason, who gave it a
quick once over. Then, doing a doubletake, he reread it.
"This isn’t a joke," he said, looking
at her. "You wouldn’t do that to me, would you?"
"No, Jason. Where would I get letterhead
with a Texas Today logo? It’s real."
"You’ve been named one of Twenty Women
to Watch in Texas," he said in a tone of wonderment.
"I know. I’ve read it," she said
dryly.
"Do you have a clue what this means?"
"I’ve got friends in high places?"
But she was smiling, knowing Jason would get almost as much pleasure
from the honor as she did. Maybe more.
"We agreed we couldn’t find enough
money to buy the Zest article, but this knocks that right
out of the ball park."
She licked raspberry filling from her finger
before grabbing a napkin. "Hey, maybe we’ll find the money
to hire another seamstress."
"I’m serious, Erica. This is...This
will..." He shook his head. "I’m speechless."
"Now that is a first." Taking
the letter from him, she sat down again and reread it. "I’m
flattered, Jace. And you’re right. This is a once-in-a-career
boost, and yet..."
He looked at her in disbelief, propping
his hands on his hips. "And what, for Pete’s sake? You can’t
possibly find anything negative in this .You said the Zest
article was a fluke and that if our shop wasn’t in The Village and
they didn’t just happen to be featuring businesses there we would
never have been included. And when you got that order for jackets
from that boutique in the Galleria, you called Christopher Crane
to make sure he meant it for Erica Stewart and not our competition
in Dallas. It was legit and that’s because you’re good. Chris Crane
doesn’t just run his finger down the Yellow Pages and pick a designer
at random to feature a line of jackets in his shop, darlin’. You’re
good, you’re better than good and I wish to hell you believed it
as much as I do."
"Okay, okay." She gave a weak
smile and rubbed her forehead with two fingers. "I get a headache
when you start to lecture."
"You should," he said with no
sympathy. After a beat or two, he dropped into a chair opposite
her. "I don’t get why you keep trying to downplay your success,
Erica. If I were in your place, the Astrodome wouldn’t be big enough
for my ego."
She studied his face with affection. They’d
been friends since meeting in an art class in college over twelve
years ago. He’d been the male model that day. It was later Erica
learned he was actually an art student and that he’d volunteered
to model because it was just the zany kind of thing Jason sometimes
did. He was physically beautiful. No other word fit. He had every
natural asset needed for a career as a male model. His hair was
a thick, glossy near-black, his eyes were startlingly blue and he
had cheekbones to die for. Added to all that, his tall, hard-muscled
body looked delectable in clothes. In fact, he’d briefly pursued
modeling as a career, but quickly abandoned it as being, in his
words, "soul-destroying and shallow beyond belief." In his bones,
he was a serious artist but, unlike Erica, he hadn’t been able to
support himself with his art.
To tell the truth, Erica wouldn’t have been
able to support herself with her art either if Jason hadn’t come
up with the bright idea that the two of them should collaborate.
In his opinion, her fabric designs had commercial appeal. He’d
pitched the idea at the darkest time in her life. She’d been holed
up in her house popping anti-depressants, stashing away the jackets
and quilts she designed in a closet in the cluttered room where
she created them. Had it not been for Jason and his dogged determination
to save her from herself, Erica wondered how long it would have
taken her to decide to reenter the land of the living. So, with
her designs and Jason’s ability to promote and sell anything except
his paintings, he persuaded her that going into business together
was a good thing. And indeed it was. With hard work, plus a lucky
break or two, they’d achieved quite remarkable commercial success.
"I just have this feeling, Jace,"
she said, moving a finger over Texas Today’s logo. "I
know you think it’s my insecurity talking, but every once in a while
I just feel as if that success you’re crowing about has been helped
along by some outside force. I don’t know how else to describe
it, but it’s there."
"Here we go again." He rolled his eyes.
"That is total bullshit, Erica. You’re a talented artist and that’s
why the world is noticing it." He chose another kolache from
the box and added, "Helped along by the somewhat brilliant
promotional contributions which have come from me, if you’ll excuse
me saying so."
"I’ve had to excuse a lot more than
that since you nagged me into opening the shop," she reminded him
dryly.
"Your lucky day."
She smiled and gave in. "Okay, okay. Between
the two of us, we’re enjoying a little taste of success."
"And it’s sweet indeed."
"So I’ll stop looking for a worm in the apple."
"Good. Because there isn’t one." Grabbing
a pen, he got ready to do what he did best: seizing opportunity
and running with it.
"More coffee, Morton?"
Lillian Trask lifted the decanter from the
server and waited to pour. Along with coffee and juice, the breakfast
cart was laden with scrambled eggs, bacon, croissants and a collection
of gourmet jams and jellies. For herself, she preferred only fruit
and yogurt to start the day, but her husband liked a hearty meal.
After a moment, he grunted a response and she refilled his cup.
He held a cell phone to his ear with one
hand while he scanned the pages of the Sunday edition of the Houston
Chronicle with the other. Open and within easy reach was his
trusty Blackberry on which he received and sent email, retrieved
information, accessed his address book, noted the weather and even
picked up breaking news. Since sitting down to breakfast twenty
minutes ago, he’d been focused on the Blackberry or talking on his
cell phone. She’d once tried to declare mealtime a no-business
zone, but she’d been instantly overruled. Only if they had guests
did she expect conversation with a meal. When they were alone,
Morton was too busy talking business to talk to her.
Actually, it was rare that they breakfasted
together. When she came downstairs in the mornings, more often
than not, he was already out of the house, headed downtown to the
offices of CentrexO. As its CEO, he was never separated from the
company, not even when he was in Galveston where his boat was docked.
She hated going out on the boat, or rather, his yacht, as he constantly
reminded her. The luxurious Bertram was equipped with every convenience
to live aboard for days--even weeks--at a time. But she tended
to get seasick and nothing was worse than being miles offshore with
her head spinning and her stomach revolting. At those times, Morton
was utterly unsympathetic. He, of course, was never seasick.
They owned a condominium overlooking the
Gulf and she could spend a weekend there if she wanted, but she
seldom did so. It was a seventh-floor corner unit with a great
view, but when she was there, she felt lonely and isolated. There
was no magic in watching a stunning sunrise or sunset alone.
She finished her breakfast, listening with
half an ear to Morton’s conversation with a business associate.
Maria, the housekeeper, appeared to clear the table and when that
was done, Lillian turned her attention to the stack of mail she
hadn’t gotten around to opening yesterday. She didn’t hear Morton
addressing her directly until he barked her name for the third time.
"What? Oh, I’m sorry, Morton. What did
you say?"
"That was John Frazier in Washington," he
told her testily as he entered something in his Blackberry. It
irritated him when he didn’t have her full attention. "He’s at
the airport on his way back to Houston."
"John Frazier." She repeated the vaguely
familiar name, but couldn’t place him.
"You met him at the fund raiser last month," he
reminded her.
She thought a minute, then remembered Frazier
as a tall, thin man with a practiced smile. "He manages one of
those PACs, doesn’t he?" It would be impossible to guess which
one, as Morton was a heavy contributor to several political action
funds.
"Yeah. And listen to this. He just left
a breakfast meeting with some VIPs who have the ear of the President."
He finished entering data and looked up at her as he shut down the
Blackberry. "According to John, I’m definitely on the short list
for an ambassadorship. I was reasonably certain it would happen,
but these things can slip away with the slightest turn of the political
tide."
"Ambassadorship?" she repeated, starring at him
in stunned surprise.
"Is it so astonishing? I’ve contributed
a goddamn fortune to those jackals in Washington. It’s the least
they can do."
"You mean we’d leave Houston?" And everything
and everyone she held dear?
"I can hardly serve as an ambassador from
my office downtown." He was gleeful as he picked up the newspaper
again. "I’ve got a short list of posts I’d prefer. How does Costa
Rica sound?"
"Hot and humid," she murmured.
"So? Houston is hot and humid, too."
And with that, Morton dismissed her reaction. "Think of it this
way. You won’t have the bother of shopping for new clothes. You
already have the right wardrobe." He snapped the newspaper open
before adding, "It won’t necessarily be Costa Rica. I just mentioned
that country as a possibility. I could be placed in any of half
a dozen other locations."
"What about the company?" He couldn’t be
serious. Nothing took Morton away from CentrexO for any length
of time.
"Not a problem. I’ve been grooming Alex
Winfield to take over, just in case. The experience will open other
doors for me as well, Lillian. There could be something in Washington.
There would definitely be something in Washington," he added, idly
paging through the paper. "I’ve made some valuable contacts and
after getting back to the States with the ambassadorship under my
belt, I’d be able to write my own ticket."
Lillian put a hand to her throat. He was
serious and it sounded as if the decision was final. She was to
have no say in it.
Still heedless of her reaction, he said,
"I admit I didn’t expect to hear so soon, but it’s good to know
that, for all practical purposes, the deal is done."
"I knew nothing about this, Morton," she
said, dismayed. "I don’t want to leave Houston."
He lowered the newspaper just enough to
peer at her over it. "Why, for God’s sake? There’s nothing you’re
involved in here that you can’t find elsewhere. If we wind up in
Washington, there are museums and charity causes to fill up your
time, plenty hospitals where you can volunteer." He disappeared
again behind the paper, adding, "As for the other, after a few weeks
in a new country as wife of the American Ambassador, you’ll adjust.
Give it a chance before going negative. You might even enjoy yourself."
She gazed down at her spoon. Not if it
meant leaving Houston and her work in the arts. But even without
her commitment to the arts community, there was Hunter. Thinking
of her son, her gaze strayed to the window and the center of the
immaculate lawn where a cherub poured water from a jug into a tiny
pond. It was painful to remember how close they’d once been. He
tolerated a rare lunch date with her now only out of a sense of
duty. She sighed, able to pinpoint the moment when their relationship
had begun to deteriorate. But then, so much of the downward spiral
of her life was marked by that moment. She set her spoon and yogurt
aside, untouched. Between the demands of Hunter’s business and
his preference for spending his free time at the ranch, she rarely
saw him. If she went out of the country for any protracted length
of time, she could lose touch with him altogether. As for Jocelyn,
she had so little contact with her daughter that it probably wouldn’t
matter if they were posted to China.
For a long moment, she watched the sparrows
fluttering in the water. She was drawn to the ranch herself, but
it was awkward explaining to Morton why she wanted to spend time
there. He found the place dusty and hot. Totally urbanized, he
didn’t ride and was repulsed by the dust, the torturous Texas heat
and the smell of horses. So, they didn’t go.
With another sigh, she chose another envelope
from the stack of mail and slit it open. Perhaps she’d survive
a brief tour in a foreign country if she could look forward to returning
to Houston and the life she’d built for herself, but if Morton had
his eye on something in Washington, it was unlikely they would ever
live in Texas again. She didn’t think she could bear that.
"Anything in there from Jocelyn?"
She quickly scanned the rest of the envelopes,
but saw nothing. No surprise there. Jocelyn wasn’t much of a correspondent.
The best she could manage was a phone call to her parents once a
month. "I don’t see anything," Lillian said. "The last time we
talked, she was so excited about this new job. That’s probably
why we haven’t heard from her. She’s very determined to make a
career for herself, Morton."
"By reporting for some sleazy tabloid in
Key West?" He folded and set aside a section of the newspaper before
picking up another. "I don’t think so. Not unless we see a big
change. She doesn’t stick with anything any longer than she sticks
to her husbands. Twenty-five years old and two divorces, for God’s
sake."
"One divorce and one annulment. And good
reasons for both," Lillian argued. "The first was a silly, rebellious
prank and that awful Leo person was addicted to cocaine. Would
you have wanted her to stay with either one of them?"
"No, but I also didn’t want her marrying
either of those Bozos...not that she consulted me. She’s spoiled
rotten, Lillian. And it’s unlikely to change as long as you keep
stepping in when she screws up. What she needs to do is grow up."
They’d had this discussion before. Jocelyn
did have a string of broken relationships behind her. In an act
of open rebellion, she’d eloped on the night of her eighteenth birthday
with the golf pro at the country club. Morton had been livid, but
had managed to avoid a major scandal by paying off the bridegroom
and arranging an annulment. To the dismay of her parents, however,
that first debacle established a pattern and it had been one disaster
after another since, including a hasty marriage to a druggie. She
seemed addicted to destructive behavior and after so many years,
Lillian wondered if her daughter would ever settle down and be happy.
"I can’t just ignore her when she needs
me, Morton."
"Give her a chance to feel the consequences
of her screw-ups and she’d soon straighten out," Morton said grimly.
"If she’d consulted me when the time was right, she would be set
up fine and dandy on a decent career path at CentrexO and not down
in Key West consorting with who the hell knows what kind of riff-raff."
He snapped out another section and scanned it through his bifocals.
"But what’s the use closing the barn door after the horse is out.
I’m more concerned about the present. I want you to call her and
get it through her head that she’d better be on her best behavior
for the next few months. I don’t want her mixed up in a scandal
that would cause the President to kill my appointment."
He was right, of course, not that she’d
admit it to Morton. Their daughter was spoiled, indulged to a fault
and constantly setting herself up for failure. And unfortunately,
the time was long past when she would consider consulting them about
anything in her life. Morton might rant on and on about Jocelyn’s
tendency to make mistake after mistake, but the blame wasn’t hers,
it was theirs.
She looked up when Morton made a choking
sound, sputtering into his coffee. "Did you see this?"
He shoved a section of the newspaper across the table. "They
do a feature article on those hokey shops in the The Village and
they choose hers to put front and center? This just proves my theory
that they’re desperate to find anything newsworthy today."
Lillian set an invitation to a charity function
aside, then looked at the article, bracing for what she would see
and the quick, sharp stab of conscience she would surely feel.
Artist Erica Stewart had been photographed in her shop, intent on
arranging the display in the front window. Her face was in profile,
but Lillian needed no reminder to know exactly what Erica looked
like. She recalled everything about her with cruel clarity, her
storm-gray eyes and dark, curly hair that stubbornly refused to
be tamed. Her face, with its strong features, was not quite beautiful,
still it was an arresting face, young and vibrant. As always, Lillian
was unable to bear looking. She glanced quickly away and said without
any emotion in her voice, "I wouldn’t call her shop hokey."
"That whole damn neighborhood is hokey."
He made a grumpy sound. "She’s probably sleeping with somebody
with clout at the newspaper to get this kind of play in the Sunday
edition."
"Actually, I think she’s quite reclusive."
The moment the words were out, she wished she’d kept quiet. This
was a subject that, by tacit agreement, both avoided.
He looked up with a sharp frown. "How do
you know that?"
She sighed. "I hear things, Morton. I
attend an art class. I sponsor young artists. They talk."
He held her gaze for another long moment,
then disappeared once more behind the newspaper, this time with
the sports section. "If she’s all that solitary her success strikes
me as even more unlikely. It takes capital to set up a business
and make a go of it. I bet if we knew more about her we’d find
she has a sugar daddy somewhere. Artists do that kind of thing."
But Lillian did know about her. She knew
everything there was to know about Erica Stewart, but she’d never
tell Morton that. She could not remember a time when Erica hadn’t
been a presence in her life even though they’d never met. It had
been out of desperation that she’d found ways to be helpful to Erica
without her ever knowing it. And, in doing so, had helped ease
the pain of her conscience. But it had taken years. This feature
article in the Chronicle was just one of several times when Lillian
had been in a position to boost Erica’s career and she’d acted to
do just that. Of course, it helped that the young woman was a wonderfully
creative artist. And when she’d opened the shop in The Village
with her friend Jason Rowland, between the two of them--Erica’s
talent and Jason’s gift for sales and promotion—they’d really needed
no help from anyone. Getting the article on Erica was one of those
moments when Lillian had been in a position to help. She’d learned
from a contact at the paper that a feature article about The Village
was in the works and she’d suggested Erica and her shop as a good
example of the kind of thing that was proving so successful in The
Village. Simple, really.
"She has a business partner," Lillian said,
continuing the conversation, giving in to some perverse urge that
pushed her on when the prudent thing would have been to drop the
matter before Morton lost his temper.
He lowered the paper to look at her. "Don’t
tell me, the partner’s silent and well-heeled."
"I don’t know how silent he is or what his
financial situation might be." An outright lie, but with the bit
in her teeth, she seemed bent on a headlong dash to the finish.
But something--Morton’s arrogant announcement to pull up stakes
and leave?—drove her on. "It’s Jason Rowland," she said.
Morton put the newspaper down slowly. "Jason
Rowland? Not Bob Rowland’s son?" Now, it was his turn to gaze
out the window with a puzzled expression. "The one who’s an artist,
right?"
"I believe so."
"Well, I’ll be damned."
"Yes."
He was busy mulling it over and missed the
irony in her voice. "Well, I was right about one thing. He’s probably
the one bankrolling the shop in The Village, but I guess that shoots
my theory about her sleeping her way to success."
Lillian sighed. "Please, Morton."
"At least, not with Jason," he said, smirking.
"The boy’s gay, isn’t he?"
"I wouldn’t know," Lillian said stiffly.
"And he’s hardly a boy. He’s almost as old as Hunter."
"Well, he is gay. Everybody knows it.
Not that Bob’s ever mentioned it. And I see him at the club frequently.
As a matter of fact, we played golf last week. Naturally, he doesn’t
mention Jason much, but--"
Lillian rose abruptly. "I need to talk
to Maria about lunch," she said. Not waiting to hear him out, she
left the room.
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